Impersona-Ted WIP 1

I've had a tough couple of days trying to cope with the side effects of the next stage of medication increases so thought I would start painting a fun, cuddly, feel good painting to cheer me up... I get to cuddle teddies as I look at them and paint too which can't be bad:)

Yes, I'm playing with the -Ted theme again ... this time using the word 'Impersonated'. At the moment the painting is still very much a work in progress but i couldn't resist sharing this  fun photo of my teddy models inspecting the painting so far... I hope they approve :) Can you guess from the shapes left still to paint who or what the impersonator might be? :)

The painting is a gallery wrapped watercolour stretched over 12 by 28 inch stretcher bars. I expect my progress will continue to be closely monitored as I finish this painting :)

Ona

How to create Gallery Wrapped Watercolours... a step by step guide.

Many of you have been asking me how I create a gallery wrapped watercolour so I hope this blog entry will give you the information you need to have a try yourself. Its enormous fun and has been very popular with buyers.

First select the size of individual stretcher bars that you want for your painting. Individual stretcher bars can be purchased easily from most art retail outlets e.g. Currys, Dick Blick, Dan Smith, at a very reasonable price in many different lengths.

Assemble the individual stretcher bars together and then smooth off the corners with a file so there are no sharp edges.

Seal the wood on all sides that the paper will come into contact with using the varnish. This will prevent any chemicals from the wood affecting the paper in any way. I use a roller to apply the varnish quickly and evenly but you can use a brush if you would rather.

Cut a piece of acid free foam board exactly the same size as the stretcher bars. Use some double sided sticky tape to secure the foam board to the stretcher bars as in the photo below.

Make sure you have a staple gun ready filled with staples (you don’t want to run out half way through the process) and a large bowl of water and a brush

Cut your paper to size. I use Arches 140lb cold press.  It will need to be 4 inches bigger than the stretcher bars both in length and width for the Standard 7/8" Profile stretcher bars. This is to allow for enough paper to fold over the side of the bars and onto the back. (If you are using the deeper gallery style stretcher bars, profile approximate 1.5" depth and width, allow 6 inches extra paper.)  On the back of the paper mark a line two inches in on each edge for the standard 7/8 profile stretcher and 3 inches for the gallery style’. This will give you a guide for where to place the stretcher frame once your paper is soaked.

Stretch your paper. Many people stretch the paper in a bathtub or sink. I simply create a puddle of water on a table that my paper sits in for about 5 -10 minutes. If you choose this method simply choose an appropriate surface to work on and then pour the water on the front of your painting. Use the brush to evenly spread the water around. After a couple of minutes carefully turn the paper over and wet on the other side. Your paper should now be standing in a pool of water. Let it soak there for a further 5 minutes.

Place the stretcher frame on top of the paper lining it up with your markings. Because the paper has stretched the rectangle you created on the back will be slightly larger than your frame so just place the frame evenly within these guideline markers. Fold over the two long sides and secure in the middle with a staple.

Repeat with the short sides. This will just help to avoid uneven stretching of the paper. When you fold the edges over pull tightly but don’t over pull (the paper will shrink during the drying process and do the tightening for you)

Generously staple along both long sides

Carefully remove the staple on one of the short sides and fold the edges as in the photo below

Fold over and staple the short edge.

Repeat the above folding and stapling steps with the other short side.

Alternatively you can make a small cut in the paper and fold as shown in the photo below

Then staple the side as before.

Once all sides are stapled turn the ‘canvas’ over and use some paper towel to soak up any excess water.

Remove the paper towel and leave your ‘canvas’ for 24 hours to completely dry before painting.

Then have fun. You will have all the joy of painting on the paper you love that behaves as you expect it but the finished look of a canvas without the need to mat and frame under glass or acrylic. Don’t forget to paint the sides too for that real gallery wrapped effect.

Once you have finished your painting and the paper is completely dry, fix the painting with a fixative such as Prismacolor fixative and allow to dry as per instructions on the can. (make sure you use well ventilated room for this or preferably fix outside as the fumes from the fixative as very overpowering)

Then varnish the paper with an acrylic varnish such as liquitex satin varnish. You usually need to apply about 2 or 3 coats of varnish to create a smooth varnished look.

Once dry you are now ready to hang your painting. Or alternatively you can frame the painting using a canvas floater frame.

Have fun and please don't forget to share any gallery wrappped paintings you do this way with me. I would love to see them!

Ona

Smile and the World Smiles Back

 ‘Smile and the world smiles back’, ‘laugh and the world laughs with you’ both everyday sayings but they are so true. You see two people laughing together and even if you cannot hear them or don’t know why they are laughing it still makes you smile.

The other week Rebecca and I were walking around Mill Pond and saw a group of baby ducks with their mother. They looked so cute it made us smile. Most of the babies were asleep but one was wide awake. He looked at us and opened his beak. He looked just as if he was happily smiling back at us.

I thought this would be a fun thing to capture in a painting. Hopefully it will make one of you smile too.

Painting low key!

I'm having such fun exploring and stretching my techniques at the moment.

 I'm still refining my skills in gallery wrapping a watercolour. This time I used some foam core cut to size on top of the stretcher bars and then wrapped the stretched watercolour paper around both. It makes the painted surface far more sturdy both while you are working on it and once its finished. I still have to fix and varnish it but its looking promising. I'm getting to grips with the wrapping stage but It is definitely worth having a willing helper for a few extra hands.

This one has taken a bit longer than the last (about 7 hours) as I wanted to play with a low key effect. The black background is created with transparent watercolours (no black was used) Its actually about 10 glazes of different blues, both siennas, sepia and raw umber.

I took the photo from this angle so you can see that I have gallery wrapped the painting too. I ended up balancing the stretched frame on an upturned pot so I could work on the sides at the same time as the front of the painting to get a nice smooth wash over the whole area. I'm really pleased with the effect and it will certainly be an option that I offer to any future client requesting a commission. This painting, along with the painting of the baby are not for sale but will be used as examples of the effect that can be created in this style of presenting a watercolour.

Ona